Hand-Painted/Hand-Colored Cachets


Please click on the thumbnail images for a larger view.

Hand-Painted

A hand-painted cachet is created without any mechanical process.  The cachet is painted or drawn directly on the cover by the artist.  As you can well imagine, these cachets are usually made in very limited quantities.  They are highly sought after by collectors and can vary dramatically in cost.  Some have gone for hundreds of dollars while others may be acquired for less than ten dollars.  Of course, the quality of these hand-painted cachets can also vary considerably, depending upon the talent of the artist.


Terese Lasser

After having a mastectomy in 1952, Mrs. Lasser found little emotional support available to her.  She became determined to do something about it, and formed the Reach to Recovery program to help other women facing this horrible disease. 

Reach to Recovery matches up trained volunteer breast cancer survivors with new patients.  They provide practical, non-medical advice and emotional support for these women during this difficult time in their lives.  Mrs. Terese Lasser fought an uphill battle against skeptical physicians, financial difficulties and more, and yet through her determination, she triumphed. 

The Reach to Recovery program merged with the American Cancer Society in 1969 and is still going strong today.  To learn more about this inspirational story, please click on the image below or the above title.

DORIS GOLD

This beautiful hand-painted add-on cachet was created especially for me by Doris Gold from La Mesa CA.  Note the "extension" of the rainbow stamp colors into the cachet design.  Doris told me it was to represent Terese's positive outlook on life.  It's a one-of-a-kind cover and I feel honored to own it.  I consider it to be the highlight of my collection.



CINDI TURNER

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These two beautiful covers have add-on cachets created for me by Cindi Turner from Indianapolis IN.  Cindi works with me at the American Cancer Society office in Indy.  I discovered, quite by accident, that she was a talented artist and asked her to use her imagination to create a couple of add-on cachets for me.  These are the result. 

The first one was done with color pencil, while the second cachet used both color pencil and watercolor.  Send me some email if you like her work.  I might be able to use it to convince her to do more. 



KEN KRIBBS

Here we have an original hand-drawn/hand-painted Kribbs' Kover created by Ken Kribbs from Brunswick GA and is number five of twenty-five.  It features the image of a turtle and the quote from Phyllis Diller, "Inch by inch, anything's a cinch."  The cachet maker had difficulty obtaining permission to use the National Institute of Health's logo and so decided to use the address of the Director instead.



DAVID ELLIS GARRETT

This outstanding add-on cachet was created for me by David Ellis Garrett from Mt. Clemens MI.  It is a beautiful one-of-a-kind work of art.  David is a professional artist and has been creating his incredible first day covers for several years.  He used acrylic paint to create this wonderful cachet.

I love the contemplative expression on the woman's face.  She appears to be thinking seriously about her health.  The text along the bottom encourages women to "Get a Checkup".  I'm quite proud to have this cover in my collection.  I hope you have enjoyed viewing it as much as I've enjoyed being able to present it to you. 


MARIAN SAMUELS

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These three very interesting Ms Samm Cachets were created by Marian Samuels from West Lafayette IN.  The first two are unique covers and are both numbered one of one, while the third cover is number one of three.

I've been told that Marian is an 80 year old African-American woman and a retired fashion designer.  Her covers are a little more primitively done than most cachets I've seen, however I still like her unique style.  Marian created these hand-painted add-on first day covers to help her raise money for a trip to Africa.  She sounds like a remarkable woman and I hope she has a great time on her trip.

All three cachets feature women performing a breast-self-examination in front of a mirror.  The American Cancer Society recommends that women do BSE in front of a mirror so that they can more easily see any differences in the way their breasts normally appear.  BSE is not only performed with the hands, it is also important for the woman to visually examine her breasts, looking for any irregularities.


DOLLY ANN LaMANNA

This beautiful cover was created by Dolly Ann LaManna from Milford CT and is a one-of-a-kind work of art specially made for my collection.  Dolly wrote me a beautiful letter to go along with the cachet.  I think it's best for me to quote from her letter where she explains, in her own words, how she created the cachet and what it symbolizes to her:

"It is a multimedia, hand drawn and painted cachet.  I used fine point graphite pencil for the "Grandmother - Faith", waterproof ink for the "Mother - Hope", waterproof ink and prisma pencil for the young "Daughter - Love", and oil paints for the symbolic pink ribbon and the daffodils outside of the ribbon.  The daffodil inside is prisma pencil.  I used the same colors as were used in the stamp.

The theme is representative of three successive generations of women, the past, present and future interpreted as Faith, Hope and Love.  The older generation of women had little if any option open to them for treatment or cure when confronted with this terrible disease.  They had to have faith that their daughters' generation, today's young women, would.  Today's generation is making headway in pursuit of a cure for breast cancer.  They have hope that a curative, and preventative treatment for this dreaded disease will soon be available to them and to future generations of women, today's young, loved daughters.

The daffodils represents the story of Linda Ellerbee, a well known journalist.  She had a double mastectomy and was determined to get well.  She was motivated to live through her ordeal so that she would see the field of daffodils bloom the following spring planted by her husband."

I can add nothing to this wonderful description.  I'm proud to have Dolly's beautiful work of art as a significant part of my collection. 


Please click on the thumbnail images for a larger view.

Hand-Colored

Hand-colored cachets are created with the help of a mechanical process.  Usually the black outline of the design is printed in some fashion and then the artist colors in the design.  These are also very collectable.  They can vary in quality from crude crayon colored designs to beautifully painted cachets.  Some people use clipart to create the original image, while others create original artwork.  I have several covers that fall into this category.



FRED COLLINS

This beautiful cover was created by Fred Collins from Hewitt NJ and is a perfect example of a hand-colored cachet.  It features an unofficial first day cancellation.  Fred Collins is a highly respected cachet maker.  He has been creating beautiful hand-colored covers for many years.  This cover, like most of his covers, is unnumbered. 

I love the three views of women used in this outstanding cachet.  They are professional woman, caring mother, and an active woman at play.  This is what women should be all about, not suffering with breast cancer.



CARS CACHET - MAY DAY TAYLOR

This very nice Cars Cachet was created by May Day Taylor from Washington DC.  The cover won a 1998 Earl Planty Honorable Mention award in the Non-Commercial FDC category. 

May personally told me that she was a breast cancer survivor when she signed the back of the cover.  The small printing aimed at the bull's-eye repeats the words "doitnow".  The cover is beautifully colored with an airbrush and is unnumbered.



WAYNE LAVINDER

This beautiful, yet somewhat disturbing cachet was made by Wayne Lavinder.  I've been told that Wayne is a truck driver from Arizona who has retired from cachetmaking.  If this is true it's a real shame.  I love the unusual nature of this cachet and would hate to think we will never see anymore from him. 

The cachet was created with original artwork which was then hand-colored.  It features the image of a beautiful woman with a x-ray cut-a-way revealing her skeleton.  It is number seventeen of twenty.



DAVID PETERMAN

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Here we have a surreal looking hand-colored cachet, made by David Peterman of Sheboygan WI.  The black part of this cachet was created with thermography.  This results in a raised image.  The cachet pictures an enhanced view of a mammogram indicating malignancy.  The cancer is the small dot surrounded by yellow. 

The spider like object is a microscopic view of a single cancer cell.  The cover is number twenty-three of thirty-two.  David also included a very nice Certificate of Authenticity, complete with a copy of the stamp and an unofficial cancellation. 



NEAL FAIRCLOTH

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These two beautiful cachets were created by Neal Faircloth from Fairfax Station VA.  The first one is hand-colored and is number twenty-five of fifty.  The second one is from his Shadow Cachet line of covers and is unnumbered.  I've included it here, even though it is not colored, so that both of his covers would be displayed together. 

The first cover features a wonderful image of hands sewing a pink ribbon onto a quilt.  It brings to mind the AIDS quilt, however, similar quilts have been made to honor those lost to breast cancer.  The second cover features a nice line drawing of a grandmother, mother and child surrounded by a ribbon of hope.



JULIAN and SHARON PUGH

This slightly racy cachet was created by Julian and Sharon Pugh from Woodlands TX and is number eleven of fourteen made with the plate number single.  It includes a very nicely written informative insert. 

Julian has let me know that he disagrees with my placement of his cachet in the hand-colored section.  He considers his work to be hand-painted, even though he begins with a preprinted image.  He believes that his artful use of shading and color raises the cover to the level of hand-painted.  I'm not sure I agree, but I certainly respect his opinion.



DYNAMITE CACHET - RALPH and DIANE ACHGILL

Here we have a nice Dynamite hand-colored cachet that was created by Ralph and Diane Achgill of RKA Covers from Lafayette IN.  The cover is number eight of seventy-nine and includes their distinctive dynamite logo.  It features the image of a nude woman with her back to us.  Presumably, she is preparing herself for a round of breast-self-examination.

The text along the bottom may be difficult to read on my scan, so I've retyped it below:

Breast Cancer Research

This is the first semi-postal U.S. stamp.  Eight cents out of the cost of the stamp is donated to Cancer Research.  This disease strikes both men and women and at this time, early detection, by mammograms and self exams offer the highest survival rate.



FEC CACHET - FRANK ELLIS

This beautiful FEC Cachet was created by Frank Ellis from Toledo OH and is number thirteen of twenty-four. It features a wonderful image of a female scientist working on discovering a cure for breast cancer.  The preprinted image is hand-colored with magic markers.  I'm not aware of very many cachetmakers using colored markers, however I think it provides this cachet with an unusual, yet attractive look.



SMB CACHET - STEVEN BRAINERD

This nice SMB Cachet was created by Steven Brainerd from Tucson AZ.  It is unnumbered.  It illustrates the proper position for performing a breast-self-examination.  The limited watercoloring on this cachet is very tastefully done.  Steven also has a cover in the Photocopied Cachets section of this collection.



VAN CACHETS - GEORGE VAN NATTA

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These three contemplative Van Cachets were created by George Van Natta from Ocala FL.  The artwork was drawn by Janice Hastings, his former fiancée.  The first cover was designed to be sold uncolored.  The line art is printed in brown ink and it is unnumbered. 

The second one was colored by the artist Janice Hastings and is number forty-six of ninety-eight.  However, Janice was unable to color all of the covers and another lady, whose name is not known, was brought in to color the final few covers. 

The last cover was colored in by this woman.  She mistakenly colored in the woman's hair and also added a beautiful sunset to the cachet, thus creating a new variety.  This final cover is number forty-eight of ninety-eight.



ANAGRAM CACHETS - ALEX ROGOLSKY

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These two hand-colored Anagram Cachets were created by Alex Rogolsky from Rockville MD.  The first cover has an added sticker and an unofficial first day cancel.  It is number three of fifty.  The second cover has the official first day cancel, but the sticker is gone.  It is number sixteen of fifty.  Both covers are very lightly watercolored.



H. N. LOCAL POST - HIDEAKI NAKANO

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I don't quite know what to say about these two H. N. Local Post covers, except that they are two of the strangest philatelic items I've ever laid my eyes upon.  You simply must click on the images and view these incredible covers in more detail.  They were both created by Hideaki Nakano from Detroit MI.

The first cover features Seven of Nine from the Star Trek spin-off TV series, Voyager.  Seven of Nine was a human female who had been captured, as a small girl, by Star Fleets mortal enemy, the Borg.  She was assimilated by them, turning her into a Borg.  Later she was rescued by the crew of Voyager.  After they returned her to her original human state, she became a valuable member of the crew.  Seven of Nine informs us that, "The Borg has no breast cancer. The Borg is a breast cancer."  This cover is number eleven of ninety and includes a copy of the stamp with the plate number selvage still attached.

The second cover features Xena, hero of the TV program Xena Warrior Princess.  Xena is threatening breast cancer, represented by a bizarre crab-like creature wearing a bra and holding a copy of the semipostal stamp.  Xena orders the monster, "Give me the stamp."  The breast cancer monster responds with, "Not until you pay 8 cents more."  This cover is number ten of ninety.

The stamp on both covers was perforated with the initials H.N before being attached to its envelope.  Both covers were canceled with unofficial FDOI cancellations.  Both covers have been hand-colored with crayons.  Finally, both are oversize hand-made envelopes which measure 7 1/2 x 11 inches.



UNKNOWN ARTIST

This is a very nice hand-colored cachet.  I'm still trying to track down the name of the cachetmaker.  If you can help, please drop me a line.  The cover is unnumbered and has no markings on it.  I was told by the dealer I bought it from that it was an HNS Cachet, but I can find nothing to confirm that information.

It was originally made for the Breast Cancer Awareness stamp issued in 1996.  Two years later, a Breast Cancer Research Semipostal stamp was added to the cover and given an unofficial first day cancel.

The text may be difficult to read on my scan, so I've recreated it below:

Nonsurgical diagnosis of spread of breast cancer

Each year approximately 200,000 American women are diagnosed with breast cancer.  Most of them will have surgery to determine whether the cancer has spread to the lymph nodes.  University of Michigan researchers are conducting a five-year study to determine if positron emission tomography (PET scanning) can replace lymph node dissection as a diagnostic tool.  If the study proves successful, an estimated 70% of breast cancer patients may be spared lymph node surgery.  Prognostic information provided by PET may also help those caring for breast cancer patients determine which patients need chemotherapy.


Continue on to:

Printed Cachets
Attached Cachets
Photocopied Cachets
Computer Printed Cachets Part One
Computer Printed Cachets Part Two
Other Related Philatelic Material


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